Tickets!

Tickets are now available for reservation – email delinquenttheatre@gmail.com and request the number of tickets and the date you’d like them for. Reservations will only be held until 10 minutes prior to show time, at which point they will be released to anyone waiting on standby to buy a ticket.

Reserve your tickets now to avoid disappointment!

Costume Design

 

From left: Wendla (Tich Wilson), Moritz (Chris Cook), Melkior (Alexander Keurvorst).  Photo by Brendan Albano.

From left: Wendla (Tich Wilson), Moritz (Chris Cook), Melkior (Alexander Keurvorst). Photo by Brendan Albano.

When choosing costumes for Spring Awakening, I thought back to the clothes my mother chose for me when I was a child – durable, washable, comfortable and sweet. The fabrics used in Spring Awakening definitely hearken back to the days of ‘play clothes’ – light cottons and linens suitable for climbing trees and running through fields. The color palate is all in soft earth tones and light pastels.  This is a very physical play for the actors to perform, and as such it’s quite apropos that the costumes would be suitable for young people to play in!

 

The fanciful aspect comes in in the ‘dress-up’ time in the story.  Laura and I have chosen to have the adult characters played by young actors in the style of children mimicking or mocking their parents and teachers.  The cast thought back to the markers of adulthood as seen through the eyes of a child – a pair of clicking high heels for Melchior’s Mom, a respectable tie for Melchior’s Dad, and a cruelly brandished cane for Headmaster Hart-Payne.  With each actor sporting a play outfit plus up to 5 extra items of clothing for their additional characters, this production will feature over 75 different costume pieces!

Rehearsals

Right to left: Wendla (Tich Wilson), Ilsa (Odessa Cadieux-Rey). Photo by Brendan Albano.

Right to left: Wendla (Tich Wilson), Ilsa (Odessa Cadieux-Rey). Photo by Brendan Albano.

I’m perched on a plastic chair positioned behind a folding table covered with pieces of paper, pens, pencils, empty coffee cups, bottles of water, notebooks full of illegible handwriting, and numerous copies of the same script. This can only mean on thing: it’s rehearsal time. Today we run all of act II for the first time and in the end it proves to be a very interesting evening. Suddenly the emotional journey the audience will be taken on during the second half of this play becomes clear and I find myself marveling at how well crafted this play really is. Scene four has to be hilarious and comical, because scene five is going to break peoples hearts, and scene six needs to be as sweet as it is, so that scene seven can go to a much darker place. And next rehearsal we tackle our first run of the whole show…

Laura McLean – Director